The Joy of Remembering Forgotten Memories

I step into my artworks and leave the rest of the world behind. I enjoy a process that is meditative and intuitive, where the art comes to me spontaneously, naturally and it translates organically into shapes and compositions. Whether by the use of lines, shapes or dots, my art is a an act of surrender, of abandonment of oneself to the soothing and self-annihilating power of infinite repetition. It is an harmonious and balanced dance between the art of letting go and the intentionality of discipline, commitment and pure devotion to serve the gift that is my art.

My art has always revolved around the process and the ability to create something remarkable with tools such as ink, pens and brushes on museum-grade paper. It is the challenge of working with simple materials to achieve mastery one of the many driving factors in my art practice. Simplicity through complexity and intricacy. Clarity through organised chaos. Every artwork, whilst connected to the previous and the next, similar in nature and yet different, is unique. It is irreplicable: a distinctive and special journey that flourishes from a never-ending source of love.

Have you ever stood in front of an artwork and all you could see was your reflection? I have. Though it may seem a rather silly component, the glass that sits between your eye and the artwork it protects, is crucially important and it is why I choose to frame all my art with museum, non-reflective glass (with 70% UV protection) that looks as if it were not there at all. Alongside fully archival framing materials, non-reflective glass is my choice, so that my collectors can see, appreciate and delight in all of the minute details, textures and 'colours' in my art, exactly the way I intended.